Modern popular culture often conceives of dreams, like Freud, as expressions of the dreamer's deepest fears and desires. In films such as Spellbound (1945), The Manchurian Candidate (1962) and Inception (2010), the protagonists must extract vital clues from surreal dreams.
Peter Weir's 1977 Australian movie "The Last Wave" makes a simple and straightforward postulate about the premonitory nature of dreams (from one of his Aboriginal characters) that "...dreams are the shadow of something real".
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